92 Metaphors for no

"File No. 113" is perhaps the most characteristic specimen of his work, exhibiting as it does a careful study of the Paris police system, and a thorough acquaintance with all phases of criminal life.

Over the door, No. 124, is an Annunciation by Andrea, with a slight variation in it, for two angels accompany that one who brings the news, and the announcement is made from the right instead of the left, while the incident is being watched by some people on the terrace over a classical portico.

No. 9 is "An act concerning the oath required by the ordinance passed in convention at Columbia on the 24th of November, 1832.

No. 2 from the third, and No. 3 from the fifth page of the same Preface; No. 4 from fol. 27 b of the body of the work; No. 5 is the "monstrous letter" of the Bridgewater folio; and No. 6 the "impossible E" of the Ralegh signature.

She said she was going to watch the moonlight on the mountains from the platform, and opened the door to go out, finding for the first time that No. 97 was the "ender."

" "Have you ever killed anybody?" "No." "Are you a drunkard?" "I hate the stuff!" "Are you a fighter?

No. 3 is for calling and all entertainments where the bonnet stays on; it has a baby bang edge a trifle curled and a substantial cushion atop to hold the hat pins; while No. 4, the one she wore on our arrival, is an elaborate evening toupie with a pompadour rolling over on itself and drooping slightly over one eye while it melts into a butterfly bow and handful of puffs on the crown that in turn end in a single curl behind.

No. 2, is the socket which should be let into the floor and screwed fast to the side of a joist, so as to keep it perfectly steady; the socket is to be open at bottom so as to let the dust pass through: and No. 1, is a plate, to fit over the socket, to come flush with the floor, to be put over it when the lesson-post is taken out, to prevent too much dust from getting into the socket.

Detached group No. 1, which is completed, is an infirmary group for patients of both sexes of this class.

No. 4 is the off-swing, or middle-leader mule.

No. 978, is the completest of all that have been yet cited.

" "And are the coals kept under this building?" "No.

No. 1 is three pecks of earth brought from below the hill out of the 46 acre field without any mixture.

A girl sings to a warrior (I give only Miss Fletcher's translation, omitting the Indian words): "War; when you returned; die; you caused me; go when you did; God; I appealed; standing," This literal version our author explains and translates freely, as follows: "No. 82 is the confession of a woman to the man she loves, that he had conquered her heart before he had achieved a valorous reputation.

No less topsy-turvy is the Hindoo Svayamvara or "Maiden's Choice," to which Westermarck alludes (162).

No. 5 was an intelligent and polite person, and he began to talk about America at once.

that some one would only say 'No' was our perpetual wish, and we even once meditated doing it ourselves, but could not decide which should take the risk.

No! Am I then a lover?

No. 13 is a copy of a very famous signature: the original is on a great parchment called "Deed of License Assignment and Covenants respecting a Work called 'The Pickwick Papers,'" and which, after a preamble, contains the words: "Whereas the said Charles Dickens is the Author of a Book or Work intituled 'The Posthumous Papers of the Pickwick Club,' which has been recently printed and published in twenty parts or numbers," etc.

And then she added, with sly reference to his profession, "'Deed, sir, I'm thinkin' ye micht hae travelled frae Genesis to Revelation and no been sae forfauchten.

No. 6 is an off-wheel mule, of ordinary quality.

"Can't use any sas'frass roots, can ye?" "No, indeed; all we crave is the 'Lives of the Saints.'

'No, Lady Maulevrier, my mention of this story, with which you are no doubt perfectly familiar, is only a preliminary.

No-one was ever a greater general favourite.

No. 7 is a spotted, or, as the.

92 Metaphors for  no