When photography became general, this began to be understood; since it was soon seen that the only photographer who could lay any claim to artistic work was the man who selected and altered and posedarranged his subject, that is to say, in more or less symbolic form.

"It's awful, isn't it, Phillips," laughed Trevelyan, comfortably, "to find that the photographer is the only artist, after all?

" "The only photographer besides Ansel Adams and Cartier-Bresson that I can remember is the Hungarian guy, Kertesz."

The photographer was all activity.