Our whole pluralistic procedure in using subjects and predicates as we do is fundamentally irrational, an example of the desperation of our finite intellectual estate, infected and undermined as that is by the separatist discursive forms which are our only categories, but which absolute reality must somehow absorb into its unity and overcome.

But if Flaubert is really the Continental emancipator of the novel from the restrictions of form, the master to whom we of the English persuasion, we of the discursive school, must for ever recur is he, whom I will maintain against all comers to be the subtlest and greatest artistI lay stress upon that word artistthat Great Britain has ever produced in all that is essentially the novel, Laurence Sterne....