64 collocations for scenes

[Exit. SCENE III.

[Exeunt. SCENE II.

[Exeunt. SCENE IV.

WHAT SHALL I DO?"] SCENE III TIME: the day following Christmas Day.

ACT I. SCENE IA Wood.

SCENE changes to the Wood adjoining the Hostel [MARMADUKE and OSWALD entering] MARMADUKE

[Retires. SCENE THE SIXTH.

[Illustration: IPHIGENIA Anselm Feuerbach] SCENE II IPHIGENIA, ARKAS ARKAS The king hath sent me hither, bade me greet With hail, and fair salute, Diana's priestess.

] SCENE VI The PRINCE OF HOMBURG enters.

Why did you tell her that Pretwic was killed? SCENE IX.

ACT V SCENE I Butler's Chamber.

[Exeunt. SCENE V. Enter KING, SALISBURY, HUBERT.

Speak in the Crown[503] there. SCENE THE TWENTY-SECOND.

] SCENE V The PRINCE OF HOMBURG enters.

ACT I., SCENE 1. CUPID cometh out of the heavens in a cradle of flowers, drawing forth upon the stage, in a blue twist of silk, from his left hand, Vain Hope, Brittle Joy: and with a carnation twist of silk from his right hand, Fair Resemblance, Late Repentance. CUPID.

[Exit WRANGEL.] SCENE VI WALLENSTEIN, TERZKY, and ILLO (re-enter) ILLO.

] SCENE VI THE PRINCE (coming forward).

The scene he has fixed upon; this is present to his mind's eye; and as he cannot afterwards alter it without making his characters talk incongruously and being compelled to rewrite the whole, he writes it down thus: ACT I. SCENE I.A Hall in Timon's House.

] SCENE SECOND CHANTECLER, the PHEASANT-HEN, from time to time the RABBITS, now and then the WOODPECKER.

[Exeunt. SCENE THE EIGHTH.

* * ACT I. SCENE I.An Apartment at Flint's house.

[Exit.] SCENE III.The castle moat.

[Exit.] SCENE III Night.

Well, farewell he, better and better still, These seek for me; yet I will have my will. SCENE THE NINETEENTH.

[Exeunt. SCENE THE TWENTY-NINTH.

64 collocations for  scenes