The Scene is the Ducal Palace of Adria, in the N. Adriatic The Date, 1571 THE REGENT SCENE.A terraced courtyard before the Ducal Palace.

What burdens since they have borne let Adria tell.

I'm a gallant man: And who in Adria calls.

More buoyant would I tread Dumb street, deserted square, climb ruin'd wall, Where in a heap beneath a broken flag Lay Adria.

The nymphs of Arno; Adria's goddess-queen; Greece, where the Latin banner floated free; The lands that border on the Syrian sea; The Euxine, and fair Naples; these have been Thine, by the right of conquest; these should be Still thine by empire: Asia's broad demesne, Afric, Americarealms never seen But by thy ventureall belong to thee.

Not the rough whirlwind, that deforms Adria's black gulf, and vexes it with storms, The stubborn virtue of his soul can move; 10 Not the red arm of angry Jove, That flings the thunder from the sky, And gives it rage to roar, and strength to fly.

22. gives instance in a melancholy Jew, that was Iracundior Adria, so waspish and suspicious, tam facile iratus, that no man could tell how to carry himself in his company.

The colonies of Castrum, Sena, and Adria, established.

" "As we were driven up and down in Adria, about midnight the shipmen deemed that they drew near to some country.

SEE BOAK, ARTHUR E. R. LANGLEY, ADRIA LOCKE.

Adria Locke Langley (A); 3Oct72; R536862-536866.

Adria Locke Langley (A); 3Oct72; R536867-536869.

Adria Locke Langley (A); 3Oct72; R536861. LANGUAGE RESEARCH, INC.

SEE BOAK, ARTHUR E. R. LANGLEY, ADRIA LOCKE.

Adria Locke Langley (A); 3Oct72; R536862-536866.

Adria Locke Langley (A); 3Oct72; R536867-536869.

Adria Locke Langley (A); 3Oct72; R536861. LANGUAGE RESEARCH, INC.

Not the rough Whirlwind, that deforms Adria's black Gulf, and vexes it with Storms, The stubborn Virtue of his Soul can move; Not the Red Arm of angry Jove, That flings the Thunder from the Sky, And gives it Rage to roar, and Strength to fly.

Groto, known as the Cieco d' Adria, combined the mythological motive with much of the vulgar obscenity of the Latin comedy.

To this period likewise, if we are to believe the author, belongs a 'nova favola pastorale' entitled Calisto, by Luigi Groto, the blind littérateur of Adria, whose preposterous pastoral, Il pentimento amoroso, was produced between the Aminta and the Pastor fido.

According to a note in the original edition, the piece was first represented at Adria in 1561, revived and rewritten in 1582, and first printed the following year.[407] It is founded on the well-known tale of the love of Zeus for Calisto, a nymph of Artemis, who by him became the mother of the Arcadians, as related by Ovid in the second book of the Metamorphoses (ll. 401, &c.).

no less 175 Those scattered along Adria's myrtle shores: