St. Augustine was a professor of rhetoric and the author of a treatise on aesthetics before he wrote the City of God, and his Confessions.

Their subjects were not alone aesthetics, but now treated of ethical, social, and political questions, the prophetic declarations and earnest appeals of a man of wide and varied culture, deep thought, and large experience.

We hope to hear from the author again, and in a form which shall enable his knowledge and experience in matters of Art to have freer play than the exigencies of a novel allow them, and in which his abilities in the discussion of aesthetics shall have more scope given them than that of the obiter dicta in a story.

That in as far as he shall utterly reverse his whole poetic method, whether in morals or in aesthetics, leave undone all that he has done, and do all that he has not done, he will become, what he evidently, by grace of God, can become if he will, namely, a lasting and a good poet.

It enables us to claim one who has been hitherto regarded as belonging to a merely speculative and peirastic school as the willing and deliberate champion of vital Christianity, and of an orthodoxy the more sincere because it has worked upward through the abyss of doubt; the more mighty for good because it justifies and consecrates the aesthetics and the philosophy of the present age.

Aloys Wilhelm Schreiber (1763-1840) was a teacher in the Lyceum at Baden-Baden (1800-1802), professor of aesthetics at Heidelberg (1802-13) where he was intimate with the Voss family, historiographer at Karlsruhe (1813-26), and in 1826 he retired and became a most prolific writer.

She painted in watercolors with a reasonable success, and kept house for me; I wrote, reviewed books and lectured on aesthetics; we were a humdrum couple of quasi-artists, well satisfied with life, and all I feared for her was that she might become a suffragette or be taken captive by one of these wild theories that caught her imagination sometimes, and that Mabel, for one, had fostered.

[The English reader may consult E. Caird's Hegel in Blackwood's Philosophical Classics, 1883; Harris's Hegel's Logic, Morris's Hegel's Philosophy of the State and of History, and Kedney's Hegel's Aesthetics in Griggs's Philosophical Classics; and Wallace's translation of the "Logic"from the Encyclopaediawith Prolegomena, 1874, 2d.

(1) Aesthetics.

Practical philosophy includes ethics, the philosophy of religion, and aesthetics.

Sculptors, painters, crayon sketchers, or whatever branch of aesthetics they adopted, were certainly pleasanter people, as we saw them that evening, than the average whom we meet in ordinary society.

True it is that I saw it was wanting in that tender grace which I am forced to admit even now, saturated though I now am with the aesthetics of different schools, is inherent in Cabanel's work; but at the time I am writing of, my nature was too young and mobile to resist the conventional attractiveness of nude figures, indolent attitudes, long hair, slender hips and hands, and I accepted Jules Lefevre wholly and unconditionally.

By a score of books covering the various fields of rhetoric, aesthetics, political economy, philosophy, and religion, he has moulded public opinion in his generation.

Scientific method in aesthetics.

Holt, Rinehart & Winston, Inc. (PWH); 21Jul61; R279165. CHANDLER, ALBERT R. Beauty and human nature; elements of psychological aesthetics.

A guide to aesthetics.

A guide to aesthetics.

Holt, Rinehart & Winston, Inc. (PWH); 21Jul61; R279165. CHANDLER, ALBERT R. Beauty and human nature; elements of psychological aesthetics.

The humanities: applied aesthetics, by Louise Dudley & Austin Faricy.

The humanities: applied aesthetics.

Psychiatry, economics, aesthetics.

Think of the german literature of aesthetics, with the preposterousness of such an unaesthetic personage as Immanuel Kant enthroned in its centre!

3. Aesthetics.

"Even learned critics", he says, "highly cultivated in all the niceties of aesthetics, are deficient in the knowledge of Catholic faith and Catholic theology properly to understand Calderon" (Lectures, p. 110, taken from the Introduction to my volume, p. 3).

That Comus lies, so to speak, midway between the drama and the masque, and partakes of the nature of either, is not, by any inherent law of literary aesthetics, a blemish; what in my view is a blemish, and that a serions one, is that the means employed are not calculated to the demands of the situation.