On the hearth the lighted logs are glowing, And, like Ariel in the cloven pine-tree, For its freedom Groans and sighs the air imprisoned in them.

"On the bat's back ..." From Ariel's song in "The Tempest."

Here and there his work is remarkable for its splendid imagination, for the stateliness of its verse, and for its rare bits of poetic beauty; but in dramatic instinct, in wide knowledge of human life, in humor, in delineation of woman's character, in the delicate fancy which presents an Ariel as perfectly as a Macbeth,in a word, in all that makes a dramatic genius, Shakespeare stands alone.

" Ariel's songs in The Tempest fascinate with the witchery of untrammeled existence.

In the same play Shakespeare's style varies from the dainty lyric touch of Ariel's song about the cowslip's bell and the blossoming bough, to a style unsurpassed for grandeur: "The cloud-capp'd towers, the gorgeous palaces, The solemn temples, the great globe itself, Yea, all which it inherit, shall dissolve And, like this insubstantial pageant faded, Leave not a rack behind.

After intimate companionship with him, there will be, in the words of Ariel, hardly any common thing in life "But doth suffer a sea-change Into something rich and strange.

Sometimes it is so mystical that like Prospero's messenger, Ariel, it vanishes into thin air.

" At the southern entrance of Albany Pass, one of the most picturesque spots of the east coast of Australia, the schooner Ariel lay at anchor, awaiting, day after day, some signal to indicate the arrival of the expected Kennedy.

An examination through the glass, however, showed the people on the Ariel that this blackfellow was making such vehement and persistent signals that it was thought worth while to send the boat in to investigate affairs.

There was no time lost on board the Ariel.

Four brave men Captain Dobson of the Ariel, Dr. Vallack, Barrett a sailor, and the eager Jacky-Jacky had forced their way through mangroves and hostile threatening natives to snatch them from their doom.

Annual Anthology, The Anti-Jacobin, The "Antonio," by Godwin Appendix: Passages from Books referred to by Lamb Aquinas, Thomas "Ariadne," by Titian Ariel, Lamb as Arnold, Samuel James.

"Arthur's Bower" Asbury, J.V. See Letters. and Emma Isola and Lamb as Ariel Asses, old poem on Astrea Australia, Lamb on Authors and Publishers, Lamb on Ayrton, William.

Adieu, dear little Ariel.

As she spoke the wind arose and shivered in the wiry leaves of the fir-trees, and there was a moaning sound as of some Ariel imprisoned in the thick branches that, tangled overhead, made a shelter for them.

Of this we have a striking instance in one of his most unsubstantial creations, the "delicate Ariel."

And again, in the fifth act, when Ariel, after recounting the sufferings of the wretched usurper and his followers, gently adds, "Your charm so strongly works them, That, if you now beheld them, your affections Would become tender.

Now, whether Shakspeare intended it or not, it is not possible after this for the reader to think of Ariel but in a human form; for slight as these hints are, if they do not indicate the moral affections, they at least imply something akin to them, which in a manner compels us to invest the gentle Spirit with a general likeness to our own physical exterior, though, perhaps, as indistinct as the emotion that called for it.

"I drink the air," says Ariel, meaning "I will fly with great speed.

Ariel is taunting the persons she addresses, with the intention of angering them; and the "you" is repeated, because those highly respectable men cannot at first bring their minds to believe that such unsavory epithets are addressed to them.

So in the Tempest, Ariel is the spirit of the air and Caliban of the earth, ministering, with more or less of unwillingness, to man's necessities.

She has cheeks that make bitter the envious rose; She has trunks upon trunks of the costliest clothes; She has jewels that shine as the stars do at night; And she dances as Ariel dancesor might.

The Malady of the ideal: Oberman, Maurice De Guerin and Ariel.

She had been a perfect Ariel, a beautiful Cordelia, and had played at least forty other parts of importance since she had appeared as a tiny Robin in the Keans' production of "The Merry Wives of Windsor."

ARIEL, an idol of the Moabites, an outcast angel.