I am not going to change my caesuras and cadences for anybody; so if you do not like the heroic, or iambic trimeter brachycatalectic, you had better not wait to hear it.

He discountenanced on the one hand run-on lines, alexandrines, hiatus, and sequence of monosyllables; on the other, the resort to expletives and the mechanical placing of caesura.

Discontinuity N. discontinuity; disjunction &c 44; anacoluthon^; interruption, break, fracture, flaw, fault, crack, cut; gap &c (interval) 198; solution of continuity, caesura; broken thread; parenthesis, episode, rhapsody, patchwork; intermission; alternation &c (periodicity) 138; dropping fire.

The caesura is an important, though not essential, element in Spanish verse.

In verses of eleven or twelve syllables, however, the caesura is usually employed to give a break in a determined place.

The caesura requires a strong accent on the syllable preceding it, and does not prevent synalepha.

[Footnote 7: For stylistic and metrical studies of the Culex, see The Caesura in Vergil, Butcher, Classical Quarterly, 1914, p. 123; Hardie, Journal of Philology, XXXI, p. 266, and Class Quart.

In his use of caesuras Vergil in the Ciris resembles Catullus: both to a certain extent distrust the trochaic pause.

Hugo had perhaps ventured to place the pause between the adjective and its noun, but it was not until Banville wrote the line, "Elle filait pensivement la blanche laine" that the caesura received its final coup de grâce.

Where the original poet put an effect of caesura, the translator puts an effect of rhyme; where the original poet puts an effect of rhyme, the translator puts an effect of caesura.

Where the original poet put an effect of caesura, the translator puts an effect of rhyme; where the original poet puts an effect of rhyme, the translator puts an effect of caesura.

I had no idea of caesura, my gestures destroyed its harmony, etc., etc.

He disliked the texture of those stiff verses, in their official garb, their abject reverence for grammar, their mechanical division by imperturbable caesuras, always plugged at the end in the same way by the impact of a dactyl against a spondee.

The Carmen apologeticum, written in 259, is a collection of instructions, twisted into acrostics, in popular hexameters, with caesuras introduced according to the heroic verse style, composed without regard to quantity or hiatus and often accompanied by such rhymes as the Church Latin would later supply in such abundance.

With rhymes obtained from verb tenses, sometimes even from long adverbs preceded by a monosyllable from which they fell as from a rock into a heavy cascade of water, his verses, divided by improbable caesuras, often became strangely obscure with their audacious ellipses and strange inaccuracies which none the less did not lack grace.