Taking the view that a Corn Production Bill was intended to produce corn, Lord CHAPLIN made an effort to secure that the bounties should be paid in accordance with the crops harvested and not upon the acreage sown.

According to Astley, there were eight Franciscan friars besides the vicar, eight chaplains, and a chaplin-major; and that their orders were to begin with preaching, and in case that failed, to enforce the gospel by the sword.

Half an hour later when I left themwithout any strenuous protests on the part of eitherthey were deeply engrossed in a mutual discussion upon decorations, religion, the high cost of living, free verse, two-cent transfers, Charley Chaplin, aviation, ouija, and other equally safe topics.

"'You look more like a Charlie Chaplin,' sez Rathbone.

R56673, 4Jan50, Charles De Kay (A) THE PILGRIM, a photoplay in four reels, by Charles Chaplin.

R58660, 16Feb50, Charles Chaplin (A) THE PILGRIM, essays on religion, by T[errot] R[eavely] Glover.

R68462, 17Oct50, Margaret Echard (A) CHAPLIN, Charles.

CHAPLIN, ELIZABETH T. A century and a half at the New York Bar.

CHAPLIN, W. W. Seventy thousand miles of war: being one man's odyssey on many fronts.

W. W. Chaplin (A); 5Apr71; R503338. CHAPMAN, ELIZABETH BOWIE. Which way ahead?

By Dora P. Chaplin, with an introd.

Dora P. Chaplin (A); 8Jul75; R608129. R608141.

Chaplin, last of the clowns.

R56673, 4Jan50, Charles De Kay (A) THE PILGRIM, a photoplay in four reels, by Charles Chaplin.

R58660, 16Feb50, Charles Chaplin (A) THE PILGRIM, essays on religion, by T[errot] R[eavely] Glover.

R68462, 17Oct50, Margaret Echard (A) CHAPLIN, Charles.

TYLER, CHAPLIN. Chemical engineering economics.

Chaplin Tyler (A); 18Jan54; R124354.

Katherine Chapin (A); 13Sep68; R443668. CHAPLIN, CHARLES.

Charles Chaplin (A); 4Sep68; R443248.

Chaplin, last of the clowns.

*** Charlie Chaplin, says a message from Chicago, has not joined the U.S. Army.

Pupil of Chaplin, Henner, and Carolus-Duran.

Pupil of Chaplin.

But while nothing in this world would persuade us that a great friend of Mr. Forbes Robertson, let us say, would experience no surprise or discomfort at seeing him enter the room in the bodily form of Mr. Chaplin, there is a confusion constantly made between being attracted by exterior, which is natural and universal, and being attracted by what is called physical beauty, which is not entirely natural and not in the least universal.