Demos people democracy, epidemic *Derma skin epidermis, taxidermist *Dis, di twice, doubly dichromatic, digraph *Didonai, dosis give dose, apodosis, anecdote *Dynamis power dynamite, dynasty *Eidos form, thing seen idol, kaleidoscope, anthropoid *Ethnos race, nation ethnic, ethnology

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They did, however, all agree on one point, and devoted to destruction those who did not believe that Liberty is shot out of the mouth of cannon, those who dared to feel the same aversion towards violence, whether it was exerted by Caesar, Demos, or his satellites, or even if it was in the name of right and liberty itself.

The novel-reader to whom Demos was the repetition of what he had seen and known, and what had planted sickness in his soul, found the New Arabian Nights a refreshing miracle.

In reality, the firm refused to let anyone come to their demos, unless they were duly introduced by someone already caught in the costly-matress trap.

My impression is that it was written before Demos, but was longer in finding a publisher; it had to wait until the way was prepared by its coarser and more vigorous workfellow.

The anonymously published Demos (1886) can hardly be described as a typical product of George Gissing's mind and art.

The main plot of Demos is concerned with Richard Mutimer, a young socialist whose vital force, both mental and physical, is well above the average, corrupted by accession to a fortune, marrying a refined wife, losing his money in consequence of the discovery of an unsuspected will, and dragging his wife down with him,down to la misère in its most brutal and humiliating shape.

For a criticism of Demos and Thyrza in juxtaposition with Besant's Children of Gibeon, see Miss Sichel on 'Philanthropic Novelists' (Murray's Magazine, iii.

After Demos, Gissing returned in 1888 to the more sentimental and idealistic palette which he had employed for Thyrza.

In The Whirlpool of 1897, in which he shows us a number of human floats spinning round the vortex of social London, Gissing brings a melodramatic plot of a kind disused since the days of Demos to bear upon the exhausting lives and illusive pleasures of the rich and cultured middle class.

Plutus and Demos are the worst possible editors for a magazine; and in the end, even, it is the best magazine that always makes the most money.

='064.png' n='1964h1/A/0980' /> DE MAUPASSANT, GUY. SEE Maupassant, Guy de. DE MIOMANDRE, FRANCIS. SEE Miomandre, Francis de. DE MONTHERLANT, HENRY. SEE Montherlant, Henry de. DEMOS, RAPHAEL.

by Raphael Demos.

DEMOS, RAPHAEL.

Edited with an introd. by Raphael Demos. NM: introd.

Raphael Demos (A); 6Feb67; R404079.

Selections, edited by Raphael Demos.

by Raphael Demos.

On the ceiling of a room in the gatehouse is inscribed, Mille et Quingentos postquam compleverit Orbis Tuq: et ter demos per sua signi Deus Prima sauluteferi post cunabula Christi, Cui datur omnium Honor, Gloria, Laus, et Amor.