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750 examples of  frescoing  in sentences

750 examples of frescoing in sentences

Take no carecome, haste on boardour Honour will not lose the Fresco of the Morning,Follow me, Pages.

Now am I afraid to walk in this Garden, lest I shou'd spy my own natural Wife lying with the Great Turk in Fresco, upon some of these fine fiowry Banks, and learning how to make Cuckolds in Turkey.

Buonarroti had had no practice in fresco-painting since his student days under Ghirlandajo.

He had sent for some of his fellow-students from Florence, not, as Vasari, by some strange aberration, states, because he was ignorant of fresco-painting, since all the artists of the time understood it, and the pupil of Ghirlandajo had himself practised it, but because his fellow-students had had more experience in it, and he wished to be helped in a work of this importance.

In fact, Michael Angelo the poet suffered no less from his grandnephew than Michael Angelo the fresco painter from his follower Daniele da Volterra.

Fresco, or water-color, on fresh plaster, was used for coloring walls, which were divided into compartments or panels.

The fresco wall, when painted, was covered with an encaustic varnish, both to heighten the color and to preserve it from the effects of the sun or the weather; but this process required so much care, and was attended with so much expense, that it was used only in the better houses and palaces."

This picture was painted by Domenico di Michelino, the portrait of Dante being prepared for him by Alessio Baldovinetti, who probably took it from Giotto's fresco in the chapel of the Podestá at the Bargello.

He was buried in the Duomo, on the north side of the choir, and was to have reposed beneath a sumptuous monument made under his own instructions, with frescoes by Taddeo Gaddi and Giuliano d'Arrigo; but something intervened, and Uccello's fresco was used instead, and this, some sixty years ago, was transferred to canvas and moved to the position in which it now is seen.

The scenes are the "Confirmation of the Franciscan Order" (the best, I think); the "Burning of the Books"; the "Stigmata," which we shall see again in the church, in fresco, for here we are all dedicated to the saint of Assisi, not yet having come upon the stern S. Dominic, the ruler at S. Marco and S. Maria Novella; the "Death of S. Francis," very real and touching, which we shall also see again; and the execution of certain Franciscans.

One sees him, as ever, thinking of everything: not a very remarkable attribute of the fresco painter since then, but very remarkable then, when any kind of facile saintliness sufficed.

Continuing along the Via della Colonna, we come, on the right, at No. 8, to the convent of S. Maria Maddalena de' Pazzi, which is now a barracks but keeps sacred one room in which Perugino painted a crucifixion, his masterpiece in fresco.

Within it are the faint vestiges of a fresco which the stable-boy calls a Botticelli, and indeed the hands and faces of the angels, such as one can see of them with a farthing dip, do not render the suggestion impossible.

Gaddi, who was a fresco painter first and architect afterwards, was employed because Giotto was absent in Milan, Giotto being the first thought of every one in difficulties at that time.

The portraits of both Tommaso and Domenico, side by side, occur in the fresco representing Joachim driven from the Temple: Domenico, who is to be seen second from the extreme right, a little resembles our Charles II.

The girl in yellow, on the right of the picture, with her handkerchief in her hand and wearing a rich dress, is Giovanna degli Albizzi, who married Lorenzo Tornabuoni at the Villa Lemmi near Florence, that villa from which Botticelli's exquisite fresco, now in the Louvre at the top of the main staircase, in which she again is to be seen, was taken.

The left transept ends in the chapel of the Strozzi family, of which Filippo was the head in his day, and here we find Andrea Orcagna and his brother's fresco of Heaven, the Last Judgment and Hell.

It has seats for 2,500 people, and is most remarkable for the costly fresco work on the ceiling, which illustrates scenes from Mormon history, including the alleged discovery of the golden plates and their delivery to Prophet Smith by the Angel Moroni.

What has actually happened is this: Janet has (we know not how) become a sort of maid-companion to a Mrs. Stonehay, whose daughter was a school-friend of Leslie's; the Stonehays have come to Florence, knowing nothing of Leslie's presence there; and they happen to visit the villa in order to see a fresco which it contains.

In this wood fairs, dances and other public festivals are held, and it is the favourite spot for parties of pleasure to dine al fresco; it is a pity, however, that the edifice called the Belvédère was not conceived in a better taste; it has an uncouth and barbarous appearance.

In the Sistine Chapel is the celebrated painting al fresco of the day of Judgment by Michel Angelo, an aweful subject and nobly and awefully executed.

In the Stanze di Rafaello (so they are called) are several large fresco paintings, viz., one representing the battle of Maxentius and Constantine; another, the school of Athens and Socrates sitting among the other philosophers; a third representing a fire; besides others.

into Bologna," by L. de Cranach, from a Fresco by Brusasorci, of Verona.]

into Bologna," by Lucas de Cranach, from a Fresco by Brusasorci, of Verona.]

The outer walls of the better kind of houses were ornamented with paintings in fresco, and the subjects of these were mostly sacred, such as the Virgin and Child, the Crucifixion, and the Ascension.

He did not feel certain how he should succeed in fresco on a large scale, not having had any practice in that style of painting since he was a prentice under Ghirlandajo.

Knowing that he should need helpers in so great an undertaking, and also mistrusting his own ability to work in fresco, he now engaged several excellent Florentine painters.

But there are many indications that the vault was not prepared for painting, and the materials for fresco not accumulated, till a much later date.

Finally, returning to the first composition, he repeated that, or so much of it as could be transferred to a single sheet, on the exact scale of the intended fresco.

The date on which Michelangelo actually began to paint the fresco is not certain.

Trained in the methods of the old Florentine school of fresco-painting, incapable of entering into the spirit of a style so supereminently noble and so astoundingly original as Michelangelo's, it is probable that they spoiled his designs in their attempts to colour them.

The Pope sent San Gallo, who, after inspecting the fresco, pronounced that the lime-basis had been put on too wet, and that water oozing out produced this mouldy surface.

About the fresco of the Deluge Vasari relates that, having begun to paint this compartment first, he noticed that the figures were too crowded, and consequently changed his scale in all the other portions of the ceiling.

" His hand had found its cunning for fresco as for marble.

A considerable part of this time was of course taken up with the preparation of Cartoons; and the nature of fresco-painting rendered the winter months not always fit for active labour.

The ceiling consists of one expansive flattened vault, the central portion of which offers a large plane surface, well adapted to fresco decoration.

When Michelangelo was called to paint here, he found both sides of the building, just below the windows, decorated in fresco by Perugino, Cosimo Rosselli, Sandro Botticelli, Luca Signorelli, and Domenico Ghirlandajo.

Above the lines of fresco, in the spaces between the windows and along the eastern end at the same height, Botticelli painted a row of twenty-eight Popes.

In like manner, we may be sure that during his first visit to Rome he was attracted by Signorelli's solemn fresco of Moses in the Sistine.

Viewed in this light, the vault of the Sistine and the later fresco of the Last Judgment may be taken as the final outcome of all previous Italian art upon a single line of creative energy, and that line the one anticipated by Luca Signorelli.

Michelangelo's magnificent cartoon of Leda and the Swan, if it falls short of some similar subject in some gabinetto segreto of antique fresco, does assuredly not do so because the draughtsman's hand faltered in pious dread or pious aspiration.

Michelangelo was gifted with a unique faculty for seizing momentary movements, fixing them upon his memory, and transferring them to fresco by means of his supreme acquaintance with the bony structure and the muscular capacities of the human frame.

The pen plays a foremost part in all the greatest and most genial creations of his fancy when it worked energetically in preparation for sculpture or for fresco.

Some follower of Raffaello used the print for a fresco in the Palazzo Borghese at Rome.

Nevertheless, in building, he remains a sublime amateur, aiming at scenical effect, subordinating construction to decoration, seeking ever back toward opportunities for sculpture or for fresco, and occasionally (as in the cupola of S. Peter's) hitting upon a thought beyond the reach of inferior minds.

" Dante's influence over the great artist's pictorial imagination is strongly marked in the fresco of the Last Judgment, where Charon's boat, and Minos with his twisted tail, are borrowed direct from the Inferno.

Michelangelo's poems and letters, and the whole series of his works in fresco and marble, suggest no single detail which is sensuous, seductive, enfeebling to the moral principles.

He was seventy-five years old when he carried them to completion; and, as he informed me, he did so with great effort and fatiguepainting, after a certain age, and especially fresco-painting, not being in truth fit work for old men.

* PAINTING IN FRESCO.

He then instances Westminster Hall, the walls of which might be covered with fresco; and the outsides of houses in many German cities and towns in the German cantons of Switzerland, the outsides of which are painted with scriptural and historical subjects.

His new villa at Bayreuth he called "Wahnfried," setting over the door a fresco of mythological figures, symbolising music and tragedy; in whom are portrayed Cosima Wagner, his final ideal, and Wilhelmine Schroeder-Devrient, who had been his first inspiration, and also figures of Wotan and Siegfried; the former being the portrait of Franz Betz, the singer of the rôle, and the latter being the child Siegfried Wagner.

Nature's titanic and fanciful frescoing and cameo-cutting had strongly wrought upon her impressionable mind, and the old legends and superstitions of paganism had been by no means effaced by the very slight veneer of Christianity which she had received at the mission.

Was there ever a boarding-house in the world where the seemingly prosaic table had not a living fresco for its background, where you could see, if you had eyes, the smoke and fire of some upheaving sentiment, or the dreary craters of smouldering or burnt-out passions?

It has a refreshment hall nearly five hundred feet long, with a handsome fresco ceiling and glass doors opening into a garden walk of the same length.

The walls are of variegated marble, richly ornamented with gold, and the ceiling and dome are covered with brilliant fresco paintings.

The whole end of the church behind the high altar, is taken up with Cornelius's celebrated fresco painting of the "Last Judgment,"the largest painting in the worldand the circular dome in the centre of the cross contains groups of martyrs, prophets, saints and kings, painted in fresco on a ground of gold.

The whole end of the church behind the high altar, is taken up with Cornelius's celebrated fresco painting of the "Last Judgment,"the largest painting in the worldand the circular dome in the centre of the cross contains groups of martyrs, prophets, saints and kings, painted in fresco on a ground of gold.

The walls are of scagliola marble and the ceilings ornamented brilliantly in fresco.

Each wall has two magnificent fresco paintings of very large size, representing some event in the life of the great emperor, beginning with his anointing at St. Deny's as a boy of twelve years, and ending with his coronation by Leo III.

The lower row of arches is of alternate green and purple marble, beautifully polished; but the upper, as well as the small chancel behind the high altar, is entirely covered with fresco paintings on a ground of gold!

At Verona the mediaeval tombs of the Scaligers, with their vast chest-like sarcophagi and mounted warriors, exhibit features markedly different from the monuments of Tuscany; while the mixture of fresco with sculpture, in monuments like that of the Cavalli in S. Anastasia, and in many altar-pieces, is at variance with Florentine usage.

See above, Chapter IV, Political Doctrine expressed in Fresco.

The entrance is fine; the visitor ascends the steep street to the principal gate, a massive portal, strengthened against the battering of elephants by huge spikes, and decorated by a pair of these animals in fresco-rampant.

On the river side of the palace there is an octagonal pavilion placed similarly to the Samman Burj, which is very charming in its fresco decoration, though the colour has faded very much.

The two mosques of red sandstone on either side of the Taj are in the same style as the entrance gateway, the interiors being decorated with fresco and fine cut plaster-work.

In Shah Jahan's palace and in the Taj they went a step further, and imitated the more naturalistic treatment of Persian fresco painting and other pictorial art; but there is never the slightest suggestion of European design in the decoration of these buildings.

Inside the building there are remains of fresco and other painted decoration.

These also have suffered much from neglect and whitewash, The whole of the façade of the lower story was originally faced with red sandstone, or perhaps with fine stucco decorated in fresco.

Originally the walls were entirely covered by fresco paintings, but only a few fragments now remain.

The whole building was originally covered with fresco paintings and gilding, and was hence called the Sonahra Makân, or "Golden House."

" There would be nothing primâ facie improbable that Akbar should have caused some events of Biblical history to be painted on the walls of his palaces; but on the other hand, there is nothing whatever to connect this fresco with the Annunciation.

In his wanderings about the church he would often stop before the immense fresco of Saint Christopher, a picture as bad as it was hugea figure occupying all one division of the wall from the pavement to the cornice, and which by its size seemed to be the only fitting inhabitant of the church.

Hearing it, I thought of those fresco-painted ceilings with mythological figuresgods and goddesses with pink flesh and flowing curves, Apollo and Venus reclining on a mountain of pink and gold clouds, like a lovely dawn.

When they came out of the choir Gabriel spied the Chapel-master close to the fresco of Saint Christopher.

In the interior decoration of a church Angelica painted in fresco the figures of the twelve apostles after engravings from the works of Piazetta.

Her father, broken-hearted, accepted the offer to decorate the church of his native town, and Angelica joined him in the frescoing.

Yet now those master-pieces are not only equalled on canvas and in fresco, but reproduced by tens of thousands from graven sheets of copper, steel, and even blocks of wood,or, if modelled in marble or bronze, are remodelled by hundreds, and set up in countless households as the household gods.

The vaulted roof was spangled with gold stars on a blue ground, and along the sides was a series of fresco pictures representing the various scenes in the life of Saint Agnes; and as the foundress of the Convent was royal in her means, there was no lack either of gold or gems or of gorgeous painting.

At the S.E. of the church is Cadbury Court, a fine gabled Elizabethan mansion, with a curiously incongruous modern front on the S. Cadbury, South (2-1/4 m. E. of Sparkford), is a village on the N.E. side of Cadbury Camp, with a church dedicated to St Thomas à Becket, who is perhaps intended by the fresco of a bishop which is on the splay of a window in the N. aisle.

"Dopo condottosi Tiziano a Vicenza, dipinse a fresco sotto la loggetta ...

We now know on documentary evidence that the Vicenza fresco (which was destroyed later) dated from 1521, and similarly that the frescoes at Padua were painted in 1511, whilst the date of the S. Mark picture may be fixed with probability at 1504.

He preferred the odor of canvas and oil to that of conservatories, and had more frolic and dainty morsels at an al fresco of the painters, in the Campagna, than the kitchen of an Italian prince could furnish.

At Korak we changed most of our horses and men, ate an al fresco lunch under the projecting eaves of a mossy Kamchadal house, and started at two o'clock for Malqua, another village, fifty or sixty miles distant, across the watershed of the Kamchatka River.

It seemed as if some goblin Michel Angelo had here done his carving and frescoing at the command of the lords of hell.

For hours, gazing at lofty masses, vast outlines, prodigious assemblages of rocky imagery, endless strokes of natural frescoing, the three adventurers either exchanged rare words of astonishment, or lay in reveries which transported them beyond earth.

What with sculpturing and frescoing, they had made that most fantastic wilderness the Painted Desert.

AB`BATI, NICCOLO DELL', an Italian fresco-painter (1512-1571).

ANGELICO, FRA, an Italian painter, born at Mugello, in Tuscany; became a Dominican monk at Fiesole, whence he removed to Florence, and finally to Rome, where he died; devoted his life to religious subjects, which he treated with great delicacy, beauty, and finish, and conceived in virgin purity and child-like simplicity of soul; his work in the form of fresco-painting is to be found all over Italy (1387-1455).

BRONZI`NO, a Florentine painter, painted both in oil and fresco; a great admirer of Michael Angelo; his famous picture, "Descent of Christ into Hell" (1502-1572).

SPINELLO, ARETINO, a celebrated Italian fresco-painter, born at Arezzo, where, with visits to Florence, his life was chiefly spent; was in his day the rival of Giotto, but few of his frescoes are preserved, and such of his paintings as are to be found in various galleries of Europe are inferior to his frescoes (1330-1410).

I have no heart, however, for any marble or fresco; I have essayed it in vain; 'tis vain as yet to essay it:

" While he was speaking the marchesa entered the sala, passing close under the fresco of the vaguely-sailing ships upon the wall.

Under this portico there are orange-trees in green stands, rows of chairs, and tables laid with white table-cloths, plates, and napkins, ready for an al-fresco meal.

Besides, had Count Nobili not come down, the noble gentleman, like San Michele, with golden wings behind him, and a terrible lance in his hand, as set forth in a dingy fresco in the church at Corelliacome down and rescued the dear signorina whenoh, horrible!she had been forgotten in the burning tower?

The walls are of scagliola marble and the ceilings ornamented brilliantly in fresco.

This portico is painted in fresco by various hands, under the direction of the celebrated Peter Cornelius.

I am well aware that fresco-painting, even in the hands of the Italian masters, skilful as they were in the technical details of their art, has not the charm of oil.

I make large allowance, therefore, for this unattractive aspect which belongs to fresco-painting; but in this case, the execution is by far too repulsive.

It resembles a "close of the fifth act" much more than beseems the serious character of fresco painting.

As in Holbein's fresco the skeleton plays his part in every scene, so my trouble stalked beside me, drank of my cup, and sat grimly at my table.