Amongst those whose sermons she much enjoyed were Mr. Howels of Long Acre, Mr. Harington Evans, and Mr. Blunt, of Chelsea.

It is only in Sidney's Defense (c. 1583) and that of his follower Harington that theories of the nature of poetry are included.

Lodge and Harington were primarily interested in justifying poetry on moral grounds against the Puritan attack; and Sidney, though he goes beyond this, still keeps it as a main object.

Sir John Harington who published his Brief Apologie of Poetrie in 1591, four years before the publication of Sidney's Apologie, based much of his treatise on Sidney.

His fundamental basis is the stock Horatian "omne tulit punctum qui miscuit utile dulci," or as Harington paraphrases, "for in verse is both goodness and sweetness, Rubarb and Sugarcandie, the pleasant and the profitable."

The objection that poets lie Harington meets as Sidney does, "But poets never affirming any for true, but presenting them to us as fables and imitations, cannot lye though they would."

At this point Harington parts company with his master and goes back to the middle ages.

Further, to defend the allegorical senses of poetry, which conceals a pith of profit under a pleasant rind, Harington explains fully how Demosthenes, Bishop Fisher, and the Prophet Nathan enforced their arguments by allegorical stories.

To Harington, then, poetry is useful as an introduction to Philosophy.

[10] Sir J. Harington has an epigram upon the paper war between Harvey and Nash.

sc. 5, says that he thinks Shakespeare took the expression of hugger-mugger there used from North's Plutarch, but it was in such common use at the time that twenty authors could be easily quoted who employ it: it is found in Ascham, Sir J. Harington, Greene, Nash, Dekker, Tourneur, Ford, &c.

Memorable, too, in this branch of literature is Harington's Apologie for Poetry (1591), prefixed to his translation of the Orlando Furioso.

HARINGTON'S Nugae Antiqua, xxxv.

289, n. 1; Goldsmith visits it, ii. 136; Gordon Riots, suffers from the, iii. 428, n. 4, 435, n. 1; Harington, Dr., iv.

165, n.. 3; Goldsmith's projected Dictionary, ii. 204, n. 2; Gordon Riots, iii. 428, n. 4, 435, n. 2; Grub Street, had never visited, i. 296, n. 2; Hamilton, W. G., character of, i. 520; Harington's Nugae Antiquae, iv.

HARE, W., the murderer, v. 227, n. 4. HARGRAVE, , the barrister, iii. 87, n. 3. HARINGTON, Dr., iv.

HARINGTON, Sir John, iv. 180, n. 3; 420, n. 3. HARLEIAN Library and Catalogue, i. 153, 158.

428, n. 2; Dryden's, i. 264, n. 1; iv. 45; Harington's of Bishop Still, iv. 420, n. 3; Milton's, i. 97, n. 2, 131, n. 2, 199, n. 3; Savage's, i. 166, n. 4; character, said by Baretti to be ignorant of, v. 17, n. 2; characters, saw a great variety, iii. 20; drew strong yet nice portraits, ib.; too much in light and shade, ii. 306; overcharged, iii.

SEWARD, William, F.R.S., account of him, iii. 123; Batheaston Vase, perhaps wrote for the, ii. 337, n. 2; Harington's Nugae Antiquae, suggests a motto for, iv.

Harington and Ariosto, a study in Elizabethan verse translation.

As Dr Harington's sprightly epigram suggests, this portentous display of mortality is not an inspiring study for visitors who come to Bath to take "the cure," "These walls, adorned with monument and bust, Show how Bath waters serve to lay the dust.

The eleventh deals with service and wages, and is noticed here because it affords a recital of the orders made for his household by John Harington the elder in 1566, and renewed by John Harington the younger, his son and High Sheriff of Somersetshire, in 1592.

The eleventh deals with service and wages, and is noticed here because it affords a recital of the orders made for his household by John Harington the elder in 1566, and renewed by John Harington the younger, his son and High Sheriff of Somersetshire, in 1592.

HARINGTON, SIR JOHN, courtier and miscellaneous writer, translated by desire of Queen Elizabeth Ariosto's "Orlando Furioso" (1561-1612).

So says Sir John Harington, who has given a very diverting account of the orgies at Theobalds, and the inebriate extravagances of Christianus.