He made acquaintance with Leigh Hunt, then editor of the Examiner, John Hunt, the publisher, Charles Wentworth Dilke who became editor of the Athenaeum, the painter Haydon, and others.

Between us there is a great gulf, not of inexplicable moral antipathies and distances, I hope, as there seemed to be between me and that gentleman concerned in the stamp-office that I so strangely recoiled from at Haydon's.

Young Haydon was three years painting his large picture, is now painting another on which he has been at work one year and expects to be two years more on it.

By the late Charles Robert Leslie, R.A. Edited, with a Prefatory Essay on Leslie as an Artist, and Selections from his Correspondence, by Tom Taylor, Esq., Editor of the "Autobiography of Haydon."

Every man is, according to Mr. Hunt, a dull potato-eating blockheadof no greater value to God or man than any ox or dray-horsewho is not an admirer of Voltaire's romans, a worshipper of Lord Holland and Mr. Haydon and a quoter of John Buncle and Chaucer's Flower and Leaf.

The absurdity of the thought in this sonnet is, however, if possible, surpassed in another, "addressed to Haydon" the painter, that clever, but most affected artist, who as little resembles Raphael in genius as he does in person, notwithstanding the foppery of having his hair curled over his shoulders in the old Italian fashion.

In this exquisite piece it will be observed, that Mr. Keats classes together WORDSWORTH, HUNT, and HAYDON, as the three greatest spirits of the age, and that he alludes to himself, and some others of the rising brood of Cockneys, as likely to attain hereafter an equally honourable elevation.

No wonder that he who could be guilty of this should class Haydon with Raphael, and himself with Spenser.

and why, good Johnny Keats? because Leigh Hunt is editor of the Examiner, and Haydon has painted the judgment of Solomon, and you and Cornelius Webb, and a few more city sparks, are pleased to look upon yourselves as so many future Shakespeares and Miltons!

Haydon's Mock Election "Chairing", 248.

One of Mr. Haydon's new pictures is the first start in lifea mother teaching her infant to walkit is a clever sketch, but, bearing in mind the beautiful comparison of Solomon and the lily of the valley, here is a counterpart.

CombinativenessIn Raphael, Michael Angelo, Brunel, Haydon, and Herschel, where it is very fully developed; the New Hollanders, have it small.

IdealityIn Milton, Shakspeare, Raphael, Wordsworth, Haydon, and Byron, large.

Colouringremarkably developed in the portraits of Reubens, Rembrandt, Titian, Salvator Rosa, and Claude Lorraine, where its large size is indicated by the arched appearance of the eyebrow in its situation; and in the masks of the late Sir Henry Raeburn, Wilkie, and Haydon, by the projection forwards of the eyebrow at that part.

Comparisonin Pitt, Roscoe, Raphael, Burke, John Bunyan, and Mr. Hume. Casualty, or the connexion between cause and effectremarkable in the portraits and busts of Bacon, Kant, Locke, Voltaire, Dr. Thomas Brown; and in the masks of Haydon, Brunel, Burke, Franklin, and Wilkie, where it is largely developed.

For works claimed by Jill Marie Haycox SEE this list under Haycox, Ernest. HAYDON, A. EUSTACE.

© 30Apr37; A104952. A. Eustace Haydon (A); 24Aug64; R343556.

Julle Haydon Nathan (W); 9Sep64; R344357.

NATHAN, JULIE HAYDON.

Julie Haydon Nathan (W); 10Mar75; R600226.

Julie Haydon Nathan (W); 15Nov76; R647823. R647824.

Modern Acting; a manual, by Sophie Rosenstein, Larrae A. Haydon & Wilbur Sparrow.

Julle Haydon Nathan (W); 9Sep64; R344357.

NATHAN, JULIE HAYDON.

Illustrated by Harold Haydon.