76 examples of italien in sentences

In 1695 three volumes of these scenes were published at Amsterdam, 'chez Adrian Braakman,' under the title Le Théâtre Italien, ou le Recueil de toutes les Comédies et Scènes Françoises qui ont été

jouées sur le Théâtre Italien par la Troupe des Comediens du Roy de l'Hôtel de Bourgogne à Paris.

(German, French, Italian (Allemand, français, italien, Russian).

La Filosofia Contemporanea in Italia, 1876, by the same author; further, Bonatelli, Die Philosophic in Italien seit, 1815; Zeitschrift für Philosophic und philosophische Kritik, vol.

L 'ESPRIT PRÉCOCE Pic de la Mirandole, savant italien, se distingua par une précocité extraordinaire, en même temps que par la hardiesse de ses thèses en philosophie.

" Dans quel domaine le savant italien s'est-il distingué?A-t-il été un enfant stupide?S'est-on aperçu de bonne heure de ses dons?Comment un certain maladroit a-t-il voulu rabaisser son prix?Quelle repartie spirituelle le jeune prince a-t-il trouvée? Racontez cette histoire en 100 mots.

Texte italien, francais, anglais, allemand.

En route, dans le cours de la journée j'avois rencontré un Ermin (Arménien) qui parloit un peu Italien.

il me demanda en Italien qui j'étois.

v.; Gregorovius, Geschichte der Stadt Rom in Mittelalter; Burkhardt, Die Kultur der Renaissance in Italien, and Voigt in his Wiederlebung des Klassischen Alterthums.]

Un lettré italien a la cour d'Espagne.

In one of my front windows, situated on the ground floor, I had placed a card bearing the inscription: "Aristide Barrot, Interpreter," and below, "Anglais, Allemand, Italien."

Fabrice était tellement troublé, qu'il répondit en Italien: l'ho comprato poco fa.

There were at this time in Paris, besides the Opera, three theatres, the Théâtre-Français (known also as the Comédie-Française), the Théâtre- Italien (or Comédie-Italienne), and the Theatre de la Foire, to name them in order of importance.

A new troupe was organized under the direction of Louis Riccoboni, a famous actor, and author, among other works, of a valuable history of the Théâtre-Italien.

Not long after the reëstablishment of the Théâtre-Italien at Paris, and, in fact, as early as the first of June of that same year, we find them housed in the Hôtel de Bourgogne, rue Mauconseil, over the principal door of which, after the death of the Regent in 1723, was engraved the following inscription: Hôtel des comédiens italiens ordinaires du Roi, entretenus par Sa Majesté, rétablis à Paris en 1716.

Harrassed not only by the Théâtre-Français and the Théâtre- Italien, but also by the Opéra itself, they saw themselves obliged by the Court to abandon, in turn, dialogue and even monologue, and to depend upon placards as a means of expressing the plot to the audience.

However, that same year, Marivaux amply retrieved himself in the exquisite fairy-play of Arlequin poli par l'Amour, a comedy in one act, presented at the Théâtre-Italien, October 20, and which Jules Lemaître characterizes as perhaps of all his plays "the most purely poetical, in spite of the excess of esprit, and the one in which fancy is the freest."

The first two plays of Marivaux presented to the public were performed upon the stage of the Théâtre-Italien, and throughout his life he showed a marked preference for that theatre.

Marivaux had the good judgment to abandon a style of composition for which he was in no way fitted, and, on May 3, 1722, returned to the Théâtre- Italien with la Surprise de l'Amour, a comedy in three acts, and a decided success.

"Of the six plays of our author which were to remain in the repertory, only one, le Legs, was first played at the Comédie- Française; the five others, la Surprise de l'Amour, le Jeu de l'Amour et du Hasard, l'École des Mères, les Fausses Confidences, l'Épreuve, appeared for the first time at the Théâtre-Italien.

Why was this preference of Marivaux for the Théâtre-Italien?

At the Théâtre-Français, on the contrary, both actors and audience were under the ban of certain traditions, which hindered the one from performing with the requisite natural grace and the other from accepting without criticism that which at the Théâtre-Italien they might have received with enthusiasm.

[60] Other writers for the Théâtre-Italien at this time were Autreau, Delisle, Fuzelier, none of whom is very famous.

Ces collaborateurs sont l'aîné des deux frères Parfaict pour le divertissement de la Fausse suivante (Anecdotes dramatiques, t. II, p. 345), Riccoboni pour celui de la Joie imprévue, le chansonnier Panard pour celui du Triomphe de Plutus (Journal de police, dans le Journal de Barbier, t. VIII, p. 205) et pour celui de la Colonie (Nouveau théâtre italien, t. I, p. 336).

76 examples of  italien  in sentences