Lord Mansfield affirms a Virtual Representation in the Colonies.

%(b) Anthropology: Cognition and the Passions.%Each thing is at once mind and body, representation and that which is represented, idea and ideate (object).

Metaphysics: the Monads, Representation, the Pre-established Harmony; the Laws of Thought and of the World.% Leibnitz develops his new concept of substance, the monad, in conjunction with, yet in opposition to, the Cartesian and the atomistic conceptions.

In discussing the representation in which the being and activity of the monads consist, we must not think directly of the conscious activity of the human soul.

Representation has in Leibnitz a wider meaning than that usually associated with the word.

The distinction, which has become of the first importance for psychology, between mere representation and conscious representation, or between perception and apperception, may be best explained by the example of the sound of the waves.

The distinction, which has become of the first importance for psychology, between mere representation and conscious representation, or between perception and apperception, may be best explained by the example of the sound of the waves.

These obscure states of unconscious representation, which are present in the mind of man along with states of clear consciousness, make up, in the lowest grade of existence, the whole life of the monad.

In conformity with this more inclusive meaning, perception is defined as the representation of the external in the internal, of multiplicity in unity (representatio multitudinis in unitate).

[Footnote 1: The objection has been made against Leibnitz, and not without reason, that strictly speaking there is no content for the representation of the monads, although he appears to offer them the richest of all contents, the whole world.

The objects of representation are merely representing subjects; the monad A represents the monads from B to Z, while these in turn do nothing more than represent one another.

So far then, as their action consists in representation, distinct representation evidently coincides with complete, unhindered activity, confused representation with arrested activity, or passivity.

So far then, as their action consists in representation, distinct representation evidently coincides with complete, unhindered activity, confused representation with arrested activity, or passivity.

So far then, as their action consists in representation, distinct representation evidently coincides with complete, unhindered activity, confused representation with arrested activity, or passivity.

The metaphysics of Leibnitz begins with the concept of representation and ends with the harmony of the universe.

The unity, as well as the difference, could not be greater than it is; every possible degree of distinctness of representation is present in each single monad, and yet there is a single harmonic accord in which the unnumbered tones unite.

As matter is merely something present in sensation or confused representation, so space and time are also nothing real, neither substances nor properties, but only ideal thingsthe former the order of coexistences, the latter the order of successions.

If thought ceased in deep sleep, we could have no ideas on awakening, since every representation proceeds from a preceding one, even though it be unconscious.

It induced the King to offer us peace with representation in Parliament, or anything else we wanted except independence.

"These two manners of representation.

© 22Sep22, A681938. R58304, 2Feb50, Herman C. Martens (E) LA DANSEUSE ROUGE, pièce en 4 actes et un epilogue y compris l'acte que l'auteur a supprimé, pour la representation de Charles Henri Hirsch.

FELIX THE CAT; comical representation of a grotesque cat, by Pat Sullivan.

The above may be compared with Jacobi's representation, ibid.

DANCE OF DEATH, an allegorical representation in a dramatic or pictorial form of Death, figuring, originally as a skeleton, and performing his part as a chief actor all through the drama of life, and often amid the gayest scenes of it; a succession of woodcuts by Holbein in representation of this dance is well known.

DANCE OF DEATH, an allegorical representation in a dramatic or pictorial form of Death, figuring, originally as a skeleton, and performing his part as a chief actor all through the drama of life, and often amid the gayest scenes of it; a succession of woodcuts by Holbein in representation of this dance is well known.