They consist of versicles and responses and these differ from other versicles and responses, which are generally historic, e.g., In omnem terram exivit sonus eorum, Amavit eum Dominus et laudavit eum.

(Melanelius e Galeno, Ruffo, Aetio,) and dare not be alone in the dark for fear of hobgoblins and devils: he suspects everything he hears or sees to be a devil, or enchanted, and imagineth a thousand chimeras and visions, which to his thinking he certainly sees, bugbears, talks with black men, ghosts, goblins, &c., Omnes se terrent aurae, sonus excitat omnis.

[5079]in his fragment of pure impurities, I mean his Satyricon, tam dulcis sonus permulcebat aera, ut putares inter auras cantare Syrenum concordiam; she sang so sweetly that she charmed the air, and thou wouldst have thought thou hadst heard a concert of Sirens.

6. of Pan his cave, (much like old St. Wilfrid's needle in Yorkshire) wherein they did use to try, maids, whether they were honest; when Leucippe went in, suavissimus exaudiri sonus caepit Austin de civ.

4. Sonus armillarum bene sonantium, odor unguentorm, &c. 5005.

"In grammaticis," says Cicero, "poetarum pertractatio, historiarum cognitio, verborum interpretatio, pronuntiandi quidam sonus."