The great victories of the Romans over barbarians, over Gauls, over Carthaginians, over Greeks, over Syrians, over Persians, were not the result of a short-lived enthusiasm, like those of Attila and Tamerlane, but extended over a thousand years.

Timour, usually called Tamerlane, was the son of the hereditary chief of Cash, a small but fruitful territory about forty miles to the south of Samarcand.

Our author wrote several other Tragedies, but that which he valued himself most upon, says Welwood, was his Tamerlane; acted at the Theatre in Lincoln's-Inn-Fields, and dedicated to the marquis of Hartington.

In this play, continues Welwood, 'He aimed at a parallel between the late king William and Tamerlane, and also Bajazet, and a monarch who is since dead.

That glorious ambition in Tamerlane, to break the chains of enslaved nations, and set mankind free from the encroachments of lawless power, are painted in the most lively, as well as the most amiable colours.

Thus far Dr. Welwood, who has endeavoured to point out the similiarity of the character of Tamerlane, to that of king William.

Though it is certainly true, that the Tamerlane of Rowe contains grander sentiments than any of his other plays; yet, it may be a matter of dispute whether Tamerlane ought to give name to the play; for Tamerlane is victorious, and Bajazet the sufferer.

Though it is certainly true, that the Tamerlane of Rowe contains grander sentiments than any of his other plays; yet, it may be a matter of dispute whether Tamerlane ought to give name to the play; for Tamerlane is victorious, and Bajazet the sufferer.

Though it is certainly true, that the Tamerlane of Rowe contains grander sentiments than any of his other plays; yet, it may be a matter of dispute whether Tamerlane ought to give name to the play; for Tamerlane is victorious, and Bajazet the sufferer.

The attention is diverted from the fall of Bajazet, which ought to have been the main design, and bewildered in the fortunes of Moneses, and Arpasia, Axalla and Selima: There are in short, in this play, events enough for four; and in the variety and importance of them, Tamerlane and Bajazet must be too much neglected.

All the characters of a play should be subordinate to the leading one, and their business in the drama subservient to promote his fate; but this performance is not the tragedy of Bajazet, or Tamerlane only; but likewise the tragedies of Moneses and Arpasia, Axala and Selima.

This last, a large building of white marble on the battlements overhanging the River Jumna, was now the headquarters of the General and his staff, and where formerly the descendants of the great warrior Tamerlane held their court, British officers had taken up their abode; and infidels desecrated those halls, where only "true believers" had assembled for hundreds of years.

In reason everyone is convinced that all mankind is mortal, and we hear with vague sympathy of the hosts of dead whose skulls went to pile the pyramids of Tamerlane, or of the thousands that the sea engulfs and earthquakes shatter.

The "Tamerlane" of our friend Nicholas Rowe, in which is set forth the story of the generous Emperor of Tartary, the "very glass and fashion of all conquerors."

The republic of letters was then an empty name.[A] [Footnote A: "Tamerlane" was brought out in 1702, with Betterton in the title rôle.]

The author of "Tamerlane" fears that in thus calling attention to the play he may appear guilty of "impertinence and interruptions," and, he adds, "I am sure it is a reason why I ought to beg your Lordship's pardon, for troubling you with this tragedy; not but that poetry has always been, and will still be the entertainment of all wise men, that have any delicacy in their knowledge."

"Some people [who do me a very great honour in it] have fancy'd, that in the person of Tamerlane, I have alluded to the greatest character of the present age.

" After the Prince of Tanais's homage to the sun we hear something fulsome about the virtues of King William, alias Tamerlane: "No lust of rule, the common vice of Kings, No furious zeal, inspir'd by hot-brain'd priests, Ill hid beneath religion's specious name, E'er drew his temp'rate courage to the field: But to redress an injur'd people's wrongs, To save the weak one from the strong oppressor, Is all his end of war.

But we need not follow the platitudes of Tamerlane and his companions, nor weep at the sententious wickedness of Bajazet, that ungrateful sovereign typifying Louis Quatorze, King of France, Prince of Gentlemen, and Right Royal Hater of His Protestant Majesty William of Orange.

Tamerlane, the earth shaker.

He was descended from Tamerlane, or Timur, on his father's side, and, on his mother's, from Chinghiz Khan.

Another section pushed westwards as far as Moravia and Hungary, taking Pesth in 1241, and founded the immense empire over which Tamerlane held sway.

See TAMERLANE.

ULUGH-BEG, a Tartar prince, grandson of Tamerlane; astronomy was a favourite study of his, and in the patronage of it he founded an observatory at Samarcand; after a reign of 40 years conjointly with his father and by himself, he was put to death by a son who had rebelled against him (1394-1449).

The Moors in Spain did their share of the work carried on by their Eastern co-religionists, and the first independent star catalogue since the time of Hipparchus was made by another Oriental, Tamerlane's grandson, Ulugh Begh, who built a fine observatory at Samarcand in the fifteenth century.