There are a few things that you can do with most Project Gutenberg-tm electronic works even without complying with the full terms of this agreement.

There are a lot of things you can do with Project Gutenberg-tm electronic works if you follow the terms of this agreement and help preserve free future access to Project Gutenberg-tm electronic works.

If you are redistributing or providing access to a work with the phrase "Project Gutenberg" associated with or appearing on the work, you must comply either with the requirements of paragraphs 1.E.1 through 1.E.7 or obtain permission for the use of the work and the Project Gutenberg-tm trademark as set forth in paragraphs 1.E.8 or 1.E.9.

If you are redistributing or providing access to a work with the phrase "Project Gutenberg" associated with or appearing on the work, you must comply either with the requirements of paragraphs 1.E.1 through 1.E.7 or obtain permission for the use of the work and the Project Gutenberg-tm trademark as set forth in paragraphs 1.E.8 or 1.E.9.

You may convert to and distribute this work in any binary, compressed, marked up, nonproprietary or proprietary form, including any word processing or hypertext form.

Do not charge a fee for access to, viewing, displaying, performing, copying or distributing any Project Gutenberg-tm works unless you comply with paragraph 1.E.8 or 1.E.9.

You may charge a reasonable fee for copies of or providing access to or distributing Project Gutenberg-tm electronic works provided that - You pay a royalty fee of 20% of the gross profits you derive from the use of Project Gutenberg-tm works calculated using the method you already use to calculate your applicable taxes.

You may charge a reasonable fee for copies of or providing access to or distributing Project Gutenberg-tm electronic works provided that - You pay a royalty fee of 20% of the gross profits you derive from the use of Project Gutenberg-tm works calculated using the method you already use to calculate your applicable taxes.

God grant that I may get through this business soon, and return to find you all flourishing!

Turn your eyes to the sea, and you have before you innumerable islands dotting its surface, the same in character, though smaller in size, than that on which you are standing.

I should be wanting in candour, however, if I were not to state that, in my opinion, the demands which you prefer involve, in some of their details and consequences, questions of considerable nicety.

From the verandah you step into a garden not very well kept, with a pond and trees, and some appearance of care in laying it out.

You cannot imagine a prettier sight.

"I thought you were one of the evil legion.

"You stupid old fool!"

I know you brought me here to rob me and insult my daughters.

As Professor Maurice warned me when I undertook this lectureship, my object in teaching you about "styles" should be that you may have no style at all.

I hope that you will all trust me when I tell you that those who have themselves experienced what labour attends the task of composition, are generally most tender and charitable in judging of the work of others, and that whatever remarks I may make will be such only as a man has a right to make on a woman's composition.

I hope that you will all trust me when I tell you that those who have themselves experienced what labour attends the task of composition, are generally most tender and charitable in judging of the work of others, and that whatever remarks I may make will be such only as a man has a right to make on a woman's composition.

And surely when you recollect the long drudgery at Greek and Latin verses which is required of every highly-educated man, and the high importance which has attached to them for centuries in the opinion of Englishmen, you cannot think that I am too exigeant in asking you for a few sets of English verses.

Believe me, that you ought to find their beneficial effect in producing, as I said before, a measured deliberate style of expression, a habit of calling up clear and distinct images on all subjects, a power of condensing and arranging your thoughts, such as no practice in prose themes can ever give.

"As soon as you go into the Labyrinth where the monster is kept, fasten one end of the thread to the stone doorpost, and then unwind it as you go along.

When you have slain the Minotaur, you have only to follow the thread and it will lead you back to the door.

When you have slain the Minotaur, you have only to follow the thread and it will lead you back to the door.

In the meanwhile I will see that your ship is ready to sail, and then I will wait for you at the door of the Labyrinth.

ll, I am sure something is wrong.

LL I DEDICATE

" "We-e-ll," mused young Sam, doubtfully, "you're a nigger.

ll. 148-156.]

The "thin gray cloud," as also the dancing leaf of ll. 49-52, was observed at Stowey.

The edition of 1816 lacked ll. 255-61, having only these lines between 253 and 262: "And she is to sleep by Christabel.

The third form is that of a MS. copy of the poem once the property of Wordsworth's sister-in-law, Sarah Hutchinson, and recently published in facsimile by Mr. E.H. Coleridge, which gives this reading for ll. 253-4: "Are lean and old and foul of hue, And she is to sleep by Christabel.

ll. 89-90) and the metaphysic habit of mind that the study of it induceswhat we call realityis a dream that has come between him and the world of the ideal in which he had and used his "shaping spirit of imagination."

" "Surely youll not speak to him, mamma!

" "Most likely theyll remain so.

Youll learn it in a moment.

Certain irregular derivatives in d or t, from verbs ending in ee, ll, or ss, (as fled from flee, sold from sell, told from tell, dwelt from dwell, spelt from spell, spilt from spill, shalt from shall, wilt from will, blest from bless, past from pass,) are exceptions to the foregoing rule.

RULE VIII.FINAL LL.

Final ll is peculiar to monosyllables and their compounds, with the few derivatives formed from such roots by prefixes; consequently, all other words that end in l, must be terminated with a single l: as, cabal, logical, appal, excel, rebel, refel, dispel, extol, control, mogul, jackal, rascal, damsel, handsel, tinsel, tendril, tranquil, gambol, consul.

Webster, however, prefers distill, extill, and instill with ll; and some have been disposed to add the other two.

13.There are some wordsas those which come from metal, medal, coral, crystal, argil, axil, cavil, tranquil, pupil, papilin which the classical scholar is apt to violate the analogy of English derivation, by doubling the letter l, because he remembers the ll of their foreign roots, or their foreign correspondents.

In considering this vexatious question about the duplication of l, I was at first inclined to admit that, whenever final l has become single in English by dropping the second l of a foreign root, the word shall resume the ll in all derivatives formed from it by adding a termination beginning with a vowel; as, beryllus, beryl, berylline.

Pu'pillage and pu'pillary, with ll, are according to Walker's Rhyming Dictionary; but Johnson spells them pu'pilage and pu'pilary, with single l; and Walker, in his Pronouncing Dictionary, has pupilage with one l, and pupillary with two.

Again: both Johnson's and the Pronouncing Dictionary, give us medallist and metallist with ll, and are sustained by Webster and others; but Walker, in his Rhyming Dictionary, writes them medalist and metalist, with single l, like dialist, formalist, cabalist, herbalist, and twenty other such words.

"Yet he has spelled chappelling, bordeller, medallist, metalline, metallist, metallize, clavellated, &c. with ll, contrary to his rule.

"Again, he has spelled cancelation and snively with single l, and cupellation, pannellation, wittolly, with ll."Ib.

UNDER RULE VIII.OF FINAL LL.

[FORMULE.Not proper, because the word "evill" is here written with final ll.

But, according to Rule 8th, "Final ll is peculiar to monosyllables and their compounds, with the few derivatives formed from such roots by prefixes; consequently, all other words that end in l, must be terminated with a single l."

ll, as I hear the voice of a crushed race, lifting amid its misery a cry of unconquerable confidence in the Just and Holy One, who was ordering alike the embattled armies of earth and the starry hosts of the skies, and through history, as in nature, was sweeping on resistlessly to fulfill the good pleasure of His Will.