Egyptian in form, it was entirely Greek in feeling; and brightly coloured as it was, in accordance with the racial love of colour, the tasteful refinement with which the decoration of the case was treated made those around look garish and barbaric.

Bacchus, who is known from Aristophanes not to have excelled in criticism, protested that his laureate was greater than Homer; and, though Homer could not go quite so far as this, he graciously conceded that if he had himself been an Egyptian of the fifth century, with a faint glimmering of the poetical art, and encumbered with more learning than he knew how to use, he might have written almost as badly as his modern representative.

The Assyrian civilization was indigenous on the borders of the Euphrates, and the Egyptian on the borders of the Nile.

The Egyptian to the E. of Lake Moeris, consisted of an endless number of dark chambers, connected by a maze of passages into which it was difficult to find entrance; and the Cretan, built by Dædalus, at the instance of Minos, to imprison the Minotaur, out of which one who entered could not find his way out again unless by means of a skein of thread.

Among the great works of ancient art which were destroyed, but might have been left or converted into Christian use, were the magnificent temple of Edessa and the serapis of Alexandria, uniting the colossal grandeur of Egyptian with the graceful harmony of Grecian art.

It is necessary to place this definition of the first part of the belief of the Egyptian at the beginning of the first chapter of this brief account of the principal religious ideas which he held, for the whole of his theology and religion was based upon it; and it is also necessary to add that, however far back we follow his literature, we never seem to approach a time when he was without this remarkable belief.

Plotinus (A.D. 204-270), who was an Egyptian by birth, lived and studied under Ammonius Sakkas in Alexandria at a time when it was the centre of the intellectual world, seething with speculation and schools, teachers and philosophies of all kinds, Platonic and Oriental, Egyptian and Christian.

The following year, Marcel spread over the level plane of his picture a layer of white representing snow, planted a pine-tree in one corner, and clothing an Egyptian as a grenadier of the Imperial Guard, rechristened the painting the "Passage of the Beresina.