Traditions live of desperadoes with exteriors of womanish calm and the action of devils.

John Addington Symonds says: "It is the first attempt in any literature to portray subjective emotion exterior to the writer; since the days of Virgil and Ovid, nothing had been essayed in this region of mental analysis.

He strove to penetrate its wicker exterior with concentrated gaze.

The grief of Magdalen was so violent that she was unable to conceal it; and although the Blessed Virgin, by a special grace from Almighty God, maintained a calm and dignified exterior in the midst of her sufferings, yet even she was recognised, and overheard harsh words, such as these: 'Is not that the Mother of the Galilean?

The counting-house of a manufacturer of woollen cloth is as inaccessible as the boudoir of a Marquis; while the flowered brocade gown and well-powdered curls of the former offer a much more imposing exterior than the chintz robe de chambre and dishevelled locks of the more affable man of fashion.

The house was but slightly fortified about the exterior by a few logs hastily thrown up, while inside the house was padded with feather-beds to deaden the force of the bullets.

The national character of the Germans is integrity, tho' sometimes cloaked under a rough exterior as in Bavaria and Austria; but here in Saxony it is combined with a suavity of manners that is very striking, for the Saxons are the Tuscans of Germany in point of politeness, and they are far more accomplished because they take more pains in cultivating their minds.

George described the interview to me, and shewed me, I am sorry to say, how much downright ferocity may exist beneath an apparently frank, jovial, reckless exterior like Marmaduke's.

"Right First Entrance," "Left Upper Entrance," and so forth, are terms belonging to the period when there were no "box" rooms or "set" exteriors on the stage, when the sides of each scene were composed of "wings" shoved on in grooves, and entrances could be made between each pair of wings.

These boys were older, stronger, ruder than those in the screen-room; but they were no less human and good-hearted; only one needed to look beneath the rough exterior into their real natures.

According to Vasari, he not only finished the exterior from the second story upwards, but designed the whole of the central courtyard above the first story, "making it the finest thing of its sort in Europe."

One of the finest traits in her nature was her instantaneous calmness of exterior under sudden and intense excitement.

For indeed, for the most part, all this secondary cultus is directed to the mitigation of the moral code and the substitution of exterior for interior sacrifice.