The floral pattern on the dressing-gown of the master of the house, as well as on the light woolen shawl that is thrown round the shoulders of his wife, and even the brightly colored glass knicknacks on the mantel-piece, manufactured in Silesia after the Indian patterns of the Reuleaux collection, again show the same motive; in the one case in the more geometrical linear arrangement, in the other in the more freely entwined spirals.