When Schleiermacher, further, equates the activity of God and the causality of nature he ranges himself on the pantheistic side in regard to the question of the "immanence or transcendence of God," without being willing to acknowledge it.

The belief in the personality of God is all-essential for the satisfaction of our religious cravings, as a presupposition of trust, love, prayer, obedience, and such relationships; as bringing out the transcendence in contrast with the all-pervading immanence of the deity; as checking the pantheistic perversion of this latter truth by which, in turn, its own deistic perversion is checked.

In this way, however, romantic art becomes art which transcends itself, carrying on this process of self-transcendence within its own artistic sphere and artistic form.