"While earnest thou gazest Come boding of terror, Comes phantasm and error, Perplexing the bravest With doubt and misgiving.

" In Othello, on the other hand, the most modern of all his plays, Shakespeare had recourse neither to outward boding, nor to inward foreboding, but planted a plain finger-post in the soil of human nature, when he made Brabantio say "Look to her, Moor, if thou hast eyes to see: She has deceived her father, and may thee.