Studios are full of such caricatures, and the hard-working, honest souls who have made them believe that they are true reproductions of nature and life.

We now come to one of the most remarkable rooms in the gallery, where every picture is a gem; but since all are northern pictures, imported, I give no reproductions.

There was a banquet chamber, with faultless reproductions of mediaeval grandeur and wonder.

I can fancy ladies going there and spending a right down happy time in looking at the dainty specimens of antique silver, and also the modern reproductions of old patterns in electro plate.

When the average American thinks of hatchets and cherry trees and abnormal truthfulness, the face that rises before him is that benign and fatherly one that he has seen a thousand times in the popular reproductions of the portrait by Gilbert Stuart.

The National geographic magazine miniature reproductions of its world-revealing contents.

With reproductions from photos.

by the author & illustrated with reproductions of the drawings, etchings & paintings of Rembrandt, selected & arranged by J. B. Neumann.

Illustrated with reproductions from old prints and decorations by Edw. A. Wilson.

Second series, with reproductions from paintings and sculpture.

Illustrated with collotype reproductions of the original etchings by George Cruickshank.

Reproductions of illus.

In America the unparalleled increase of Free Libraries has brought, not books alone, but collections of photographs and other reproductions of the best Painting, Sculpture, and Architecture in the world, as well as medals, book-plates, artistic bindings, etc., within reach of students of art.

The covers are fac-simile reproductions in many colors of the finest oil and water-color paintings procurable.

Drawings and reproductions from frescoes, found in these old Italian cities, were in the possession of the draughtsmen and designers of the time; and an instance in point of their adaptation is to be seen in the small boudoir of the Marquise de Serilly, one of the maids of honour to Marie Antoinette.

We have noticed how Wren designed the additions to Hampton Court Palace in imitation of Versailles; and in the chapter which follows this, it will be seen that the designs of Chippendale were really reproductions of French furniture of the time of Louis Quinze.

Period of Napoleon I.] The bas-reliefs in metal which ornament the panels of the friezes of cabinets, or the marble bases of clocks, are either reproductions of mythological subjects from old Italian gems and seals, or represent the battles of the Emperor, in which Napoleon is portrayed as a Roman general.

These are some of the best known manufacturers of the first half of the present century, and though until after the great Exhibition there was, as a rule, little in the designs to render their productions remarkable, the work of those named will be found sound in construction, and free from the faults which accompany the cheap and showy reproductions of more pretentious styles which mark so much of the furniture of the present day.

The pedestal sideboard, with a large mirror in a scrolled frame at the back, had come in; the chairs were massive and ugly survivals of the earlier reproductions of the Greek patterns, and, though solid and substantial, the effect was neither cheering nor refining.

Within the last ten or fifteen years the reproductions of what is termed "Chippendale," and also Adam and Sheraton designs in marqueterie furniture, have been manufactured to an enormous extent.

Partly on account of the difficulty in obtaining the richly-marked and figured old mahogany and satin-wood of a hundred years ago, which needed little or no inlay as ornament, and partly to meet the public fancy by covering up bad construction with veneers of marquetry decoration, a great deal more inlay has been given to these reproductions than ever appeared in the original work of the eighteenth century cabinet makers.

"I should not like to see any of my children such complete reproductions of either parent as that boy is of her.

Even in its wretched modern reproductions, she had preserved the contours of the gold and silver ornaments, the charm of chalices curving like petunias, and the charm of pyxes with their chaste sides; even in aluminum and imitation enamels and colored glasses, she had preserved the grace of vanished modes.

New reproductions, voluntary or spontaneous, and bringing no fresh knowledge to the mind.

Green does not even ask the question whether these also are not to be considered manifestations or 'reproductions' of the eternal self-consciousness.