He is honourably known in the history of Tuscan sculpture by his reliefs upon the façade of the Duomo at Modena, describing episodes in the life of S. Gemignano, by the romantically charming reliefs in marble, with terracotta settings, on the Oratory of S. Bernardino at Perugia, and by a large amount of excellent surface-work in stone upon the chapels of S. Francesco at Rimini.

The materials used are red and yellow bricks, with terracotta sills, the roofs being slated over the greater part, and for the purpose of forming an agreeable relief, the end houses, and in some cases the central houses, have red tile roofs, the roofs over porches being similarly treated.

There were still in existence in various Latin towns sixth-century temples laden with antique arms and armor deposited as votive offerings, terracotta statues of gods and heroes, and even documents stored for safe-keeping.