"You," he said, "are one of those unpractical persons, who bring to the affairs of a purely utilitarian epoch the 'fainéant' scruples of the dilettante and romanticist.

Goldsmith is a romanticist at heart; but he felt the strong classical influences of Johnson and of the earlier school.

illusion &c (error) 495; phantom &c (fallacy of vision) 443; Fata Morgana &c (ignis fatuus) 423 [Lat.]; vapor &c (cloud) 353; stretch of the imagination &c (exaggeration) 549; mythogenesis^. idealist, romanticist, visionary; mopus^; romancer, dreamer; somnambulist; rhapsodist &c (fanatic) 504; castle-buildier, fanciful projector.

You, reader, like ourselves, will breathe a malediction on the classical era, and thank your stars for making you a Romanticist.

The choice of mediaeval times as the scene of his stories, their style and treatment, as well as the personal note and the freedom of his verse, all stamp him as a Romanticist.

Mrs. Humphrey Ward, in her interesting article entitled "A Spanish Romanticist," says of him: "His literary importance indeed is only now beginning to be understood.

305-320, has an article entitled "A Spanish Romanticist: Gustavo Becquer."

Mrs. Ward, A Spanish Romanticist, Macmillan's Magazine, February, 1883, p. 319.] LXVI ¿De donde vengo?...

Mrs. Ward, A Spanish Romanticist, Macmillan Magazine, February, 1883, p, 319.]

Vergil is a close personal friend of these men but refuses to accept the axioms of any one school; Gallus, his friend, is a free romanticist, and is followed in this tendency a few years later by Propertius.

No romanticist knew the Rhine better or loved it more than Brentano.

To Stevenson and to the romanticist generally, a hansom cab-driver is a mystery behind whose apparent commonplaceness lie magic possibilities beyond all telling; not one but may be the agent of the Prince of Bohemia, ready to drive you off to some mad and magic adventure in a street which is just as commonplace to the outward eye as the cab-driver himself, but which implicates by its very deceitful commonness whole volumes of romance.

And I protest that I will not suffer James Huneker or any romanticist to pass me off as a peasant boy qualifying for a chapter in Smiles's Self Help, or a good son supporting a helpless mother, instead of a stupendously selfish artist leaning with the full weight of his hungry body on an energetic and capable woman.

He disliked Goethe, and he quoted with approval the saying of the poet Klopstock, whom he met at Hamburg, that he placed the romanticist Bürger above both Goethe and Schiller.

The park is literally alive with the song of the nightingales, and there is still in me a great deal of the old romanticist.

Then the second self within me mocks, and says derisively: "I had no idea you could love like a schoolboy or a romanticist!"

The author shares this hate or slight of ecclesiasticism with all the Spanish novelists, so far as I know them; most notably with Perez Galdós in Doña Perfecta and Lean Rich, with Pardo-Bazan in several of her stories, with Palacio Valdés in the less measure of Marta y Maria, and La Hermana de San Sulpicio and even with the romanticist Valera in Pepita Jimenez.

As Romanticist, it was Schlegel's office to portray the independent development of the modern English stage, and to defend Shakespeare against the familiar accusations of barbaric crudity and formlessness.

I pointed out that in his treatment of the major theme he was a neo-romanticist, but I suggested that, on the other hand, he had nothing to learn from the Russiansor the Russians had nothing to learn from him; I forget which.

BRENTANO, CLEMENS, poet of the romanticist school, born at Frankfort-on-the-Main, brother of Goethe's Bettina von Arnim; was a roving genius (1778-1849).

VEIT, PHILIPP, painter of the Romanticist school, born at Berlin; his best-known work is a fresco, "Christianity bringing the Fine Arts to Germany.

VIGNY, ALFRED, COMTE DE, French poet of the Romanticist school, born at Loches; entered the army, but left after a few years for a life of literary ease; produced a small volume of exquisitely finished poems between 1821 and 1829, and only another "Poèmes Philosophiques," which were not published till after his death; wrote also romances and dramas, and translated into French "Othello" and "Merchant of Venice" (1798-1864).

Heine was, as already noted, too much of a Romanticist to be a thorough-going Young German.

French critics have not found much to say of this non-evolutionist of letters, who is neither pure realist nor pure romanticist, and who has no new theory of art.

Heine knew whereof he spoke; for he had himself been a mad romanticist, a Young German, and a political poet; and he was a true prophet; for, though he did not himself enter the promised land, he lived to see, in the more refined romanticism of the Munich School and the poetic realism of Hebbel and Ludwig, the dawn of a new day in the history of German literature.