I feel so happy I don' care if I get spots all over the fron' of my waist.

[Syrus]; frons est animi janua [Lat.]

[Lat.]; frons est animi janua

They reveal our thoughts, and as they say, frons animi index, but the eye of the countenance, Quid procacibus intuere ocellis?

"Sic candentia colla, sic patens frons, Sic me blanda tui Neaera ocelli, Sic pares minio genae perurunt,

Decipit Frons prima multos: rara mens intelligit, Quod interiore condidit cura angulo.

Is this the treatment I receive fron the Editor of Blackwood's Magazine, in return for my condescension in offering him my assistance?

In medio, turmas inter provectus ovantes Cernitur Antitheus; reliquis hic altior unus Eminet, et circum vulgus despectat inane: Frons nebulis obscura latet, torvumque furorem Dissimulat, fidae tectus velamine noctis: "Persimilis turri praecelsae, aut montibus altis Antique cedro, nudatae frondis honore.

PAUL Report of cases adjudged in the Court of Appeals of the District of Columbia fron Nov. 5, 1923 to May 24, 1924.

The face of the man fron Saturn.

PAUL Report of cases adjudged in the Court of Appeals of the District of Columbia fron Nov. 5, 1923 to May 24, 1924.

The face of the man fron Saturn.

Among pioneer ship-builders in America are noted Patrick Tracy fron Wexford and Simon Forrester from Cork, who were both at Salem, Mass., during the period of the Revolution and rendered most valuable service to the patriot cause; and the O'Briens, Kavanaghs, and Sewalls in Maine.

"] [Footnote 20: According to German scholarship the accepted text of Cato's version of this immemorial epigram is a model of the brevity which is the test of wit, "Frons occipitio prior est."

Pliny probably quoting from memory, expands it to "Frons domini plus prodest quam occípitíum."

Again the first part of the stanza might be indivisible, when it was called the frons, the divided parts of the second half being the versus; in this case the frons had its own musical theme, as did the first versus, the theme of the first versus being repeated for the second.

Again the first part of the stanza might be indivisible, when it was called the frons, the divided parts of the second half being the versus; in this case the frons had its own musical theme, as did the first versus, the theme of the first versus being repeated for the second.

Thus the general principle upon which the stanza was constructed was that of tripartition in the following three forms: I 1st line } 2nd " } Pes 3rd " etc. } 1st line } 2nd " } Pes 3rd " etc. } Diesis or Volta 1st line } Syrma 2nd " } or Coda 3rd " etc. } II 1st line } 2nd " } Frons 3rd " etc.