Erudite Mark Marquis Libel Libretto Vague Vagabond Extravagant Souse Saucer Oyster Ostracize FOURTH GENERAL EXERCISE

Monteverde's successor at St. Mark's was Heinrich Schütz, a great revolutionist in German music, whose chief work, and the first German opera, was "Dafne," written to a libretto by Rinuccini, possibly the same one used by Peri.

He wrote Caroline that a friend of his was writing a libretto based on the old national legend, "Der Freischütz."

Kind, the librettist, wrote night and day for ten days, and Carl, in great enthusiasm, forwarded the libretto for Caroline's opinion.

Return to the libretto.

In Geibel's Gesammelte Werke, VI. 106-74, Geibel wrote the libretto for Felix Mendelssohn in 1846.

He chose a comic libretto for the first, and then troubles began not to rain but to pour upon him.

Music by Francesco B. De Leone, libretto by Cecil Fanning.

Libretto by Thomas Arthur Johnstone.

[Libretto only] © 3Jun22, D60989.

Libretto di Arturo Rossato, musica di Riccardo Zandonai.

Libretto di Arturo Rossato, musica di Riccardo Zandonai.

GLAUCO, Libretto in tre atte di Giovacchino Forzano.

Libretto. m Joseph W. Clokey.

A patriotic cantata for girls' voices; libretto by Alberto Campoa, English lyrics by Abbie Parwell Brown, music by Francisco Buencamino.

Libretto by Mattie B. Shannon.

The story of a Christmas gift; libretto by Mattie B. Shannon, m by Ruth Dale, pseud. of Ira B. Wilson.

Libretto by Carolyn R. Freeman.

© on descriptive libretto; 26Feb35; AF27556.

Fiordisole, fantasia coreografica in 6 quadri di Gino Cornali per la musica di Franco Vittadini © on descriptive libretto; 30Jan35, AF27555.

The following description seems so much like an extravaganza that the reader may suspect it to be an abstract of a story by Frank Stockton or a libretto by Gilbert; but it is a serious page from Dalton's Descriptive Ethnology of Bengal (63-64).

Rather a mixed affair to start with when you have a French libretto, set by an English Composer, and played at the Royal Italian Opera, Covent Garden.

Mozart was ready and willing, and by the time he had told the story of the plot and had brought the libretto, the lights were burning at the piano.

It must be added, however, that Addison lacked the qualities of a successful libretto writer.

The work to which we allude is the opera "Omano,"the libretto in Italian by Signor Manetta, the music by Mr. L. H. Southard.