Shakespeare's 'Much Ado about Nothing' is a great comedy, because behind it is the whole pressure of that love of love which is the youth of the world, which is common to all the young, especially to those who swear they will die bachelors and old maids.

But it is after Mr. White has been bitten by the oestrum of Shakspearian pronunciation that he becomes thoroughly contradictory of himself, especially after he has taken up the notion that "Much Ado about Nothing" is "Much Ado about Noting," and that the th was not sounded in the England of Shakspeare.

This is more ado than needs.